In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past two decades has used the trope of masculinity to mirror the profound socio-political changes underway in Korea. Since 1980, the country has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition ...(展开全部)

In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past two decades has used the trope of masculinity to mirror the profound socio-political changes underway in Korea. Since 1980, the country has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition ...(展开全部)

这是韩国电影史上第一本关于韩国电影史的著作，由多位影评人、电影史学家、电影学者撰写而成，由韩国电影振兴委员会编辑出版。当时被称为韩国电影史上的一大盛事。此书同时出版了韩文版和英文版（可在韩国电影振兴委员会的主页上观看英文版pdf部分内容：http://www.koreanfilm.or.kr/KOFIC/Channel?task=kofic.user.eng.d_publication.command.PublicationRetrieve1Cmd&Gesipan_SCD=000000000000000004）。中文版权被上海译文出版社买下，由韩国电影专家小韩（http://xiaohan0221.blog.sohu.com/）担任翻译，预计2010年出版。

In December 1950 General Matthew B. Ridgway replaced General Walton Walker as commander of the Eighth Army, and in April 1951 he succeeded Douglas MacArthur as supreme commander of the United Nations forces in Korea and supreme commander of the United States Far East Command. In this spirited book, General Ridgway describes how he took a dispirited army and rebuilt it in a few ...(展开全部)

An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

This book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic...(展开全部)

"The Cinema of Eisenstein" is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of the film. The director of such classics as Potemkin, Ivan the Terrile, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of the film epic. Comp...(展开全部)

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira K...(展开全部)